摘要 : Abstract This paper considers the epistemic career of visual media in ethology in the mid‐20th century. Above all, ethologists claimed close contact with research animals and drew scientific evidence from these human‐animal comm... 展开 Abstract This paper considers the epistemic career of visual media in ethology in the mid‐20th century. Above all, ethologists claimed close contact with research animals and drew scientific evidence from these human‐animal communities, particularly in public relations. However, if we look into the toolboxes of comparative behavioral biologists, it becomes evident that scientifically valid research results were primarily obtained by experimenting with model images. These visual specimens tell a technical story of the methodological requirements in behavioral science necessary to bridge everyday observations between the laboratory and the field. By neutralizing individual traces of animal bodies as well as their observers, they prompted the abstraction of ethological hypotheses. The case study of East‐German biologist Günter Tembrock (1918–2011), who maintained his own collection of newspaper clippings, drawings, photographs, and films, offers a new perspective on the methodological development of this field. Furthermore, this article contributes to a scholarly discussion geared toward expanding the spaces of ethological research. My analysis of the image collections of the Forschungsst?tte für Tierpsychologie presents the archive as a relevant site of study in the history of ethology. 收起